#and the fact that he's the one to survive

[etheraltides]

Shelter in the Storm

Pairing: Rafe Cameron x reader

Summarize: Rafe is acting weird during the storm and you’re about to find out why

Warning(s): mention of gun, protective Rafe.

A/N: feedback always make me happier, love y’all – also tysm for all the love in my fics

The storm outside was relentless, sheets of rain hammering against the windows. Thunder rumbled in the distance, a low growl that felt too close, too ominous. Rafe stood by the window, his silhouette sharp against the faint glow of the firelight. His jaw was tense, his hands flexing open and shut at his sides.

You had packed a bag and driven to Rafe's earlier today when you received a warning in your phone about the upcoming storm, not wanting to risk staying at yours to see the damage - your small house in the Cut had barely survived in the last one and neither you nor Rafe wanted to risk it. Not when his place was as much as yours as his.

You watched him from the couch, bundled up in an oversized sweater, your book abandoned beside you. He hadn’t spoken much since the phone call earlier, but his restlessness told you everything. Something was wrong.

“Rafe.” you said softly, pulling his attention away from the storm.

He turned, his blue eyes darker than usual, stormier. He didn’t respond, just studied you for a moment like he was trying to memorize every detail. It wasn’t unusual for him to brood, but tonight, something felt different. He never got that weird over business that went wrong.

“You’ve been pacing for twenty minutes, quiet ever since I've arrived. What’s going on, baby?” you asked, your voice laced with concern.

Rafe exhaled sharply, dragging a hand through his hair. “It’s nothing you need to worry about.”

You frowned, sitting up straighter. “Don’t do that. Don’t shut me out.”

“It’s not shutting you out, alright? ” he snapped, then immediately softened his tone as he noticed you flinch, his chest tightening with guilty. “It’s keeping you safe.”

“From what?”

His eyes flicked away, unable to hold your gaze. His silence was answer enough.

“Rafe…” You stood, crossing the room to stand in front of him. Your hand rested lightly on his clothed chest. “What aren’t you telling me?”

He hesitated, torn between wanting to protect you and needing to tell someone. He didn't like to keep things from you. Finally, he sighed. “You remember Morroco?”

Your brow furrowed. “The trip? Of course.”

He had called you to meet him by the beach, kissing you goodbye as he said he had an important last meeting to close a massive deal and that it'd probably take him a few weeks before he was back.

“It wasn't just a trip.” he said bitterly. “It’s a mess. A deal went sideways, I went after Groff to get my money back and then... Then there was this blue crown treasure hunt with those... pogues. We crossed some people." His jaw clenched. “Now they’re coming for me.”

Your blood ran cold as you tried to process everything. Not even paying a big attention to the fact that Rafe had lied to you. “They?”

“Mercenaries” he admitted, the word dripping with disdain. “Hired guns who don’t care about anything but the paycheck and that fucking crown that slipped away from our fingers."

Fear pricked at the edges of your mind, you could hear your heartbeats in your ears. Mercenaries. “And you think they’ll come here, after you?”

“I don’t know,” he admitted, his voice low. “But I’m not taking any chances.”

You stepped closer, your hands gripping his arms. “Rafe, we should call someone - Shoupe, the poli—”

“No,” he interrupted sharply. “The cops won’t do anything. I’ll handle it, okay? I can take care of my own shit."

“You can’t handle this alone, Rafe. We're talking about mercenaries and not a cougar whose money went sideways in a deal!” you argued, your voice rising slightly.

“I’m not letting you get involved,” he said firmly, his hands resting on your shoulders. His touch was warm, grounding.

“I’m already involved,” you countered, your voice softening. “I care about you, Rafe. That means I’m in this with you, whether you like it or not.”

His expression cracked, the tough exterior slipping to reveal the vulnerability underneath. “You don’t get it,” he whispered, his hands sliding down your arms. “You’re the only thing I’ve got that’s good. If something happens to you because of me—” He broke off, shaking his head.

“Nothing’s going to happen to me,” you said, stepping even closer. Your hands rested on his chest, feeling the rapid beat of his heart beneath your palms. “You’re here. You’ll keep me safe.”

He stared at you, his breath hitching slightly. “You have too much faith in me,” he murmured, almost to himself.

“I have the right amount,” you whispered back.

For a moment, the tension hung heavy between you, the storm outside roaring as if reflecting the chaos inside him. Then, before you could say anything else, Rafe’s hands moved to cup your face, his thumbs brushing your cheeks.

“You’re so damn stubborn,” he muttered, a small, almost pained smile tugging at his lips.

You opened your mouth to respond, but the words were swallowed as his lips met yours. The kiss was desperate, almost frantic, like he needed to remind himself you were here, with him, safe. His hands slid into your hair, holding you to him as if letting go wasn’t an option.

Your hands fisted in the fabric of his shirt, pulling him closer. The warmth of his body, the way he kissed you — it all felt like a promise, and a plea rolled into one.

When he finally pulled back, his forehead rested against yours, his breathing heavy. “I’m not letting them get near you,” he vowed, his voice raw.

“They won’t,” you assured him, nodding as your hands smoothed over his chest.

He kissed you again, slower this time, his hands skimming down your sides. When he pulled you against him, his arms wrapping around your waist, you felt the full weight of his fear and his determination.

“I should send you away,” he muttered against your hair, his lips brushing your temple. “Somewhere safe. Away from Outer Banks."

You leaned back, meeting his gaze. “No. I’m staying right here. With you.”

Rafe stared at you, his jaw tightening. “You’re insane.”

“Maybe,” you said with a small smile, not wanting him to know how terrified you actually were. “But so are you. We’re a good match, remember?"

Despite himself, he chuckled, his grip on you tightening. “You’re going to drive me crazy.”

“You wouldn’t have it any other way,” you teased.

He didn’t answer; he just pressed another kiss on your forehead before pulling you into his chest. His hand smoothed over your back, lingering there as if the simple act could protect you from the world.

After the conversation, the weight of the threat hanging over him, Rafe couldn’t let you out of his sight. He needed to feel you close, needed to know you were safe in a way that words couldn’t assure him - and it didn't help that you decided to organize everything that was out of place, moving between the rooms without saying anything. He knew you were stressed. You always clean whenever anxiety hits you.

“C’mon,” he murmured, his voice low as his arms slid around your waist.

You blinked up at him, confused. “What are you doing?”

“Taking you to bed,” he said simply, his tone leaving no room for argument.

Your cheeks flushed. “I can walk, Rafe.”

“Not tonight,” he said, shaking his head. “Let me do this.”

Before you could protest, Rafe bent down and swept you into his arms as if you weighed nothing. You let out a soft yelp of surprise, your arms instinctively looping around his neck.

“Rafe—”

“Shh,” he murmured, glancing down at you with a small, almost teasing smirk. “Just let me take care of you for once, okay?”

You pressed your lips together, your cheeks warming at the way he held you so effortlessly, his grip steady and secure. His heartbeat was steady beneath your ear, a calming rhythm that contrasted with the chaos of the storm outside.

The walk to the bedroom was silent, save for the sound of the rain pounding against the roof. Rafe nudged the door open with his foot, carrying you inside. The room was dark except for the faint glow of a lamp on the nightstand, casting warm light over the space.

He set you down gently on the bed, his hands lingering on your hips for a moment before he stepped back. You watched as he moved around the room, double-checking the locks on the windows and door. His movements were methodical, his expression tense.

“Rafe,” you said softly, sitting up. “You don’t have to do all this.”

He glanced at you over his shoulder, his lips pressing into a thin line. “Yes, I do.”

You wanted to argue, but something in his tone stopped you. He was carrying more than just worry — it was guilt, fear, and the overwhelming need to protect you. It was his way of tricking himself into believing he had some control over the whole situation.

Once he was satisfied, Rafe returned to the bed. You noticed the subtle way he opened the drawer of his bedside table, checking the loaded gun inside.

Your stomach tightened. “Do you really think it’ll come to that?”

His gaze flicked to you, softening slightly. “It’s just a precaution,” he said, his voice steady.

You nodded, though the thought of him having to use it sent a shiver down your spine.

“Come here,” he said, holding out a hand.

You crawled toward him, settling into his arms as he pulled you close. His body was warm, solid, and the way his arms wrapped around you made you feel like nothing in the world could touch you.

“Get some sleep,” he murmured, pressing a kiss to your forehead.

“What about you?” you asked, your voice muffled against his chest.

“I’ll sleep,” he promised. “Just need to make sure you’re out first.”

You frowned but didn’t push further. His hand smoothed over your back in slow, soothing strokes, lulling you into a sense of security.

Eventually, your breathing evened out, and Rafe let out a breath he hadn’t realized he was holding.

He stayed awake, his eyes scanning the room, his ears attuned to every sound beyond the rain. Every creak of the house set his muscles on edge, his mind racing with worst-case scenarios. But then he’d look down at you—your peaceful face, your fingers loosely curled against his chest — and the storm inside him would quiet, even if just for a moment.

Carefully, so as not to wake you, Rafe reached out and brushed a strand of hair from your face. His fingers lingered, tracing the curve of your cheek.

“You don’t even know how much you mean to me,” he whispered, his voice so soft it was nearly drowned out by the rain.

His hand moved to your shoulder, then down your arm, his touch light, almost reverent. He wanted to memorize every detail—the way your skin felt against his, the rise and fall of your breathing, the warmth you radiated.

For a long time, he just watched you, his thumb idly brushing against your arm.

No one would hurt you. Not the mercenaries, not anyone. He’d burn the world down before he let anyone take you from him.

When his exhaustion finally began to creep in, Rafe pressed a kiss to the top of your head, his lips lingering there for a moment.

“I’ll keep you safe,” he murmured, his voice thick with emotion. “I swear. Even if it's the last thing I do.”

With one hand resting on the gun in the drawer and the other wrapped protectively around you, Rafe finally allowed his eyes to close, the storm outside fading into the background.

As long as you were in his arms, nothing else mattered.

[dykekarkat]

interesting to me that neil compares kevin's relationship with riko to his relationship with his father when i truly believe it is much more similar to the relationship he had with his mother when she was alive. OKAY GUYS JUST WALK WITH ME FOR A SECOND ALRIGHT HEAR ME OUT. okay so obviously there are some major differences like mary's physical abuse is justified as necessary discipline for neil's continued survival whereas riko's physical abuse of kevin was mainly due to jealousy plus the fact that riko and kevin are the same age does create a much different power dynamic, however if neil is gonna compare riko to his father i think i am allowed to ignore this one. but ANYWAY if u think about the extreme codependency fostered in the nest through the partner system it's very comparable to mary and neil's forced dependency on each other while they're on the run. like kevin and neil are both isolated from society and forced into a situation where there is only one other person they can trust or rely on in the face of external dangers (riko and mary respectively). but the bulk of the comparison comes from the fact that the deals surrounding kevin are Not about keeping riko from physically attacking or kidnapping him (like neil's father does to him) it's about keeping kevin from saying Yes. andrew + neil are working to keep kevin from agreeing to go back and that's why it is fundamentally similar to the abusive situation neil finds himself in with his mother. if mary was alive neil never would've gone back to exy, if she had survived and told him to leave the foxes he would've said yes!! he's been conditioned to rely on her the same way that kevin was conditioned to be riko's second!! neil talks about kevin like he only fears physical repercussions to himself from riko which is true but on a fundamental level kevin and neil are struggling with the same idea which is "i should not be doing this". plus kevin's love/guilt/relief surrounding riko (specifically his death) is like one for one how neil feels about his mother. I'm not really going anywhere with this post i just couldnt stop thinking about mary and neil's relationship and how overlooked it is due to neil's biases.

[cheshiresense]

Starrk time travels with Ichigo to TBTP is everything I never knew I needed! The pain of surviving again, of still being too strong to die- to give up and rest with Shunsui is chef’s kiss beautiful.

I have questions, ideas, thoughts- feel free to ignore any of them lol. First is do you think Hollows/Arrancars have pack instincts/pack bonds. I can imagine the horrible aching emptiness of reaching for friends and family who aren’t there anymore. Pack is forever, should be forever- but now they have to go on looking in the faces of people who loved them once and see nothing in their eyes. No pack bond or instincts that used to link them.

Second is do you think Starrk and Ichigo would eventually start napping together once they settle in a bit more? Starrk might be able to control it now, but I feel like there would be something reassuring about the fact that Ichigo could take it, wouldn’t buckle under the pressure. And then there’s the fact they’re the only ones who know, who understand the weight of it all.

Third is do you have an idea of who you’d ship Ichigo with in this au? I myself am partial to Koyonagi, but I can also see Shinji noticing something off and prowling around like the big cat he pretends he isn’t to investigate. I also imagine that not a few people would assume Starrk and Ichigo are in a relationship lol.

Lastly is I think it would be really interesting if Starrk and Ichigo ended up in the same division, especially since the draw to join the Eighth would be even more tempting. Do you think they’d stick together or try to spread out to be able to investigate/access more.

Thank you, I'm glad you liked it! And I haven't even gotten to the ShunStarrk parts yet but the prospect of it is incentive to write more lmao.

This got a bit long so I'll shove it under the cut:

1) I haven't thought much on this particular aspect of Hollows, although I do see it around a lot, it seems a pretty common headcanon. I def do think they have pack instincts, because even in canon you see Harribel and Grimmjow and others forming "packs" but idk if I'd go all the way to pack bonds. For me it would prob depend on where I want to take that particular fic. In this AU, I imagine Hollows do have pack instincts (again, that's basically canon) and Hollows in general are more sensitive to the reiatsu of pack members, but Starrk's gone so long without them that he's used to the pain of not having anyone. Plus he's like part wolf so I think that makes it worse, but after a thousand years he's probably numb to it. Then of course he got Shunsui for a while, and I imagine he kind of adopted the Fourth as his own and probably a few other Shinigami he'd grown close to, and now all of them are gone. He's in the same situation as Ichigo and grieving that loss, but it prob also feels physically worse for him. He knows what it's like to have pack now, and then he loses them all, and yeah he can sense Shunsui's reiatsu signature halfway across the Seireitei, and half the Fourth is a comfortable bubble at the edge of his awareness, but at the same time, they're not the same and his instincts can tell that too, so it's basically just a constant reminder of everything he no longer has. But he has a thousand years of experience at ignoring this sort of thing, and it's easy to fall back on it, he has to fall back on it because it's not like he can do anything about it anyway. His people, his pack, are gone, and like all the other things he was never able to change over the course of his long life, he can only resign himself to it and shoulder it as best he can.

But Shunsui in particular is a relentless ache in his chest, at the back of his mind, in the pulse of his very reiatsu, like pressure on a bruise on the days he can force himself to ignore it, like a gushing wound when he can't. It's still okay when he's at the Academy and doesn't actually have to see the man. Then Ichigo goes and picks up a stray who just so happens to be Shunsui's family, damn you too Mimihagi may you suffer from carpal tunnel for the rest of eternity, and because his luck has never been what anyone would call good, Starrk's practically expecting it the first time Ichigo awkwardly pesters him into joining their tutoring sessions behind the Eighth Division compound because Ichigo's excellent at Shunpou but he's never quite managed Yoruichi's flawless execution of it, and even before they'd become allies, Starrk's Sonido had been her equivalent, which had seamlessly translated over to Hohou once he'd gained the ability to learn it. Fujiwara's decent enough at it for an Academy student, but still far too slow for Ichigo's liking and also stupidly clumsy and Ichigo can't for the life of him figure out why, so can Starrk please come take a look and see if he can spot the problem or just tell him that there is no problem and all Academy students are just hopeless like this. Starrk wants to say no, but for all that Ichigo gets irritated with his own family for not being able to take no for an answer, the kid himself is actually no better than them, he's just a little more self-conscious about it, but the family resemblance is definitely there beyond just the appearance. Repeatedly refusing would take energy Starrk doesn't have, and he supposes it's nice too to see Ichigo starting to make friends again in this time period, starting to look past his grief. Starrk knows if he really puts his foot down, Ichigo will back off, but he doesn't want to set the kid back in case Ichigo gets the idea to also return to being a perpetual shut-in just because Starrk is, and if that means indulging Ichigo's whims, then so be it. He'd been sent back to serve as babysitter anyway so he may as well do the whole thing properly. And because his luck is just like that, the first time he goes, he finds that Ichigo has already somehow managed to lure his nosy Shiba cousin, his cousin's captain, and the Eighth Division captain Starrk's Shinigami but no he isn't not really not anymore never again to the training grounds even though it's the middle of the afternoon and they should all be at work. At least, judging by the disgruntled expression on Ichigo's face, this hadn't been Ichigo's idea of a good time either. Familiar grey eyes meet his from across the clearing, and for a moment, Starrk is certain someone's ripped his heart out again, leaving only an empty gaping hole in its wake once more, but a thousand times worse than it had ever felt when he'd still been just a Hollow and had never known anything else.

-

2) Honestly Ichigo already spends like 70% of his time in Starrk's room, his own is there just to gather dust and like fake out Kaien cuz the guy either hasn't thought to or at least still has enough manners to refrain from invading Starrk's room too (for now). So like two weeks into the Academy and Ichigo spending five days out of seven crashing on Starrk's floor, Starrk just gives up and goes out to buy an extra futon (and even more pillows because he's a pillow fiend and you can never have too many in his opinion) and Ichigo basically moves in after that. It's definitely comforting for both of them to have the other close by, especially Ichigo because his reikaku abilities are still hit or miss some days. Starrk can relax because his control hasn't been anything less than perfect since his Aizen days but occasionally he still worries about slipping up, except Ichigo is one of the few who can bear the brunt of it so it wouldn't matter even if he does. And Ichigo can relax because he's never really been one for subterfuge, it's actually killing him a little that he can't just bust out his Bankai and either beat Aizen to death or beat some sense into him over the skies of Soul Society like the good old days, but there's nothing he has to hide from Starrk, and Starrk's one of the ones - the only one left now - who's seen Ichigo at his very worst, and likewise it would take a lot of conscious effort on his part to actually hurt Starrk. Lashing out in the midst of a nightmare would wake Starrk but otherwise wouldn't even make him blink.

They can lower their guard around each other in a way they can't anywhere else outside of their room, and with Starrk's habit of carpeting most of the floor with soft things to sleep on, it's only natural to go to sleep next to each other and wake up - in the middle of the night or in the early morning when dawn hasn't even broken yet because it's easier to stare at the ceiling than spend another minute dreaming of faces they'll never truly see again - the same way. Neither of them really moves much when unconscious, and their instincts mark each other as safe, so these days, they sleep best in each other's company.

(This aches too though, sometimes, even though Starrk won't ever voice such a thing out loud. But sleeping with someone else beside him, even when they don't touch beyond an accidental brush of shoulders or a nightmare-fueled flail of a limb digging into his gut, reminds him of another warm body he'd spent close to a decade sleeping beside, half-draped over him or plastered against his back or letting him curl around them in return. It's another thing he'll never have again, but that's hardly Ichigo's fault, and he knows the kid doesn't do well alone either - who in this world does? - so Starrk's hardly going to say anything that would definitely chase Ichigo away because the kid's stupid like that. He locks the sense-memories behind his teeth instead, even when it keeps him up all night or wakes him in the morning just to make him feel like shit all over again when he remembers where and when he is. And it's not always bad. In this era, Ichigo is the only truly familiar thing that doesn't make Starrk's instincts bristle, which means he can sleep more deeply than he would allow himself anywhere else, and that's a comfort in and of itself.)

-

3) This I actually don't know, even in SP I don't really have a ship for Ichigo. But ship candidates are a dime a dozen for him lol. Kisuke's always my go-to for him but I guess he hasn't really been that prominent, although I can def steer things that way. I've written a few KoyoIchi so that's def also a possibility. Shinji is equally likely, and if they could give past!Aizen future!Aizen's memories, I could even pull off AiIchi, although if they could do that, I'd just do the same with Shunsui and then we would have less angst lmao. And it might be weird but I'm not opposed to Ichigo/Asuka but in a platonic neither of us are interested in other ppl and don't want to be bothered by marriage offers so let's just get engaged and it'll even be good for clan politics close friends sort of way. They might develop feelings for each other sometime down the road, but arranged marriage AU would be how it would start (this is actually a wip idea I've had for a long time that I've just never written). Also I just feel like Starrk would be vaguely amused by how they both got attached to Kyourakus (or Kyouraku-adjacent I guess), like what is it about that family 😂 But yeah nothing really concrete yet. Ppl might assume that Starrk and Ichigo are a thing because Ichigo doesn't hang out with anyone else at first, and Starrk basically only leaves school grounds to accompany Ichigo somewhere, but I imagine that would clear up after like thirty minutes of watching them interact, esp once Rangiku and Asuka and Gin are more permanent fixtures in their group and Starrk's just trailing after them like a long-suffering dad, the generational gap would be pretty obvious.

-

4) Oh man I've definitely thought about this. So unlike SP where Ichigo's like It Is My Duty To Go To The Fifth Just To Keep An Eye On Aizen's Shenanigans Even If That Means Self-Inflicted Emotional Torture The Entire Time, Starrk puts a stop to that nonsense in this AU. He doesn't actually care where Ichigo wants to go, Ichigo can take care of himself even if Aizen breaks cover and goes all traitor on them a hundred years early, and he's not here to tell the kid what to do anyway, but when Ichigo's waffling between the Eighth or the Fifth, and it becomes pretty fucking clear that he only wants to go to the Fifth because he thinks he has to, because there's no other way to keep track of Aizen, and he starts getting tunnel vision the way he does when he's brooding and obsessing over protecting people, that's when Starrk steps in.

"It's one thing if you want to go because you want to," Starrk says, watching the kid pace their room like a caged tiger. "But I don't think you do, not with the way you behave around Hirako. Besides, are you even going to be able to get anything done when you'll be constantly stressed out by being so close to Aizen?" He pauses, then adds with a ghost of a smile, "And then there's the fact that you're a really bad liar."

Ichigo swings around to splutter indignantly at him. "I am not! I can lie!"

Starrk shrugs. "Good enough to fool Hirako and Aizen when they'll be right there observing you up close every single day?"

Ichigo opens his mouth, then closes it again. Good, at least he's self-aware.

Starrk lets him think it over for a moment, tracking the conflicted shift of emotions across Ichigo's face - and he wants to play spy in front of the likes of Aizen like this? - before continuing quietly, "This is it, you know."

Ichigo blinks at him, thrown by the non-sequitur.

Starrk sighs and leans back against the windowsill at his back, slanting his gaze to the sky outside, winter-pale but clear. "What we're doing--it isn't a job with an end date. We don't get to go back home once we're done. There's no home to go back to."

In his peripheral, Ichigo is suddenly very still.

"This is it," Starrk repeats without taking his eyes off the distant horizon. "And you gain nothing from focusing all your energy on one man who won't even be showing his hand anytime soon. If anything, finding out you're suspicious of him will only move up his timeline or cause him to do something drastic, and then we might not be able to predict him at all. And that's not even getting into what the Quincy might do if you show your hand too soon, with or without their king. But even that's beside the point."

He turns back to Ichigo, taking in the weary grief in the furrow of his brow and the bitter curve of his mouth, and he knows Ichigo already understands. Still, he finishes as gently as he knows how, "This is where we live now, and maybe it isn't home yet, but maybe it's time to start thinking about what it will take to make it one. How do you want to live, Ichigo? Once everything is over, what kind of life will you have built for yourself by then? Or will you let Aizen dictate that too?"

A minute flinch ripples across Ichigo's shoulders. Starrk presses on, as ruthless as he'd learned from Aizen, from Shunsui even more. "Will you let him hound you all the way to your final grave? Or will you let Yhwach do it again? Your mother died to save you. Your friends died protecting you. Is their love for you only worth yet another suicide run at a bunch of madmen and would-be-gods? Do you think that this was all you were worth to them?"

Ichigo flinches again, and for a split second, his expression scrunches like he wants to take a swing at Starrk.

Starrk waits him out, because Ichigo isn't an idiot, but sometimes, it's like he just can't understand certain things without them being spelled out for him. And some things, Starrk thinks, should be heard, should be said.

He wonders if anyone's ever told this kid that he's allowed to live for himself too.

(He also wonders how much of a hypocrite every word coming out of his mouth right now is going to make him in the future.

But it's different, with Ichigo. Starrk is over a thousand years old. At this point, going to his grave isn't a big deal. But Ichigo hasn't even reached three decades, and he's spent a solid ten of those years on one battlefield or another. If one of them has to die at the end of all this, it definitely shouldn't be Ichigo.

This kid needs to learn how to live. There's no time like the present to start, and if that means Starrk has to hit where it hurts, well, infections must be lanced sooner or later.)

At last, Ichigo's shoulders slump, and he deflates like a balloon, anger and hurt deserting him, leaving only exhaustion in their wake.

"Sometimes, you sound so much like Kyouraku-san it's scary," Ichigo informs him, flopping bonelessly onto a nearby pile of pillows.

Starrk says nothing. If that had been meant to hurt, well, he probably deserves it.

"Aizen does need to be watched," Ichigo persists, but he sounds almost relieved at the possibility that he won't have to be the one to do it.

Starrk grunts dismissively. "I can sense him from here. I know when he's in his office, and when he leaves a double and takes off for Rukongai. I think that's enough for now."

Ichigo's eyebrows shoot up in surprise. "His hypnosis isn't affecting you?"

Starrk tips a glance at him. "The soul remembers. It doesn't affect you either, does it?"

"That's true," Ichigo concedes. "But wait, did he never show you his Shikai? Or you touched his blade somehow?"

"My reiatsu ate it," Starrk summarizes succinctly, then clarifies with a flicker of exasperation at the wide-eyed look he gets, "His hypnosis, not his blade. He never put much effort into hypnotizing the Espada, just enough to make sure we'd obey without too much fuss. And when it comes down to it, even Zanpakutou abilities is just reiatsu cast in a specific shape. It was easy enough to get rid of it after I was whole again."

He thinks of Lilynette and breathes through that particular ache, old now, more scar than open wound, but there all the same.

Ichigo makes a comprehending sound. "That's pretty handy. Can your reiatsu eat it if it's cast on someone else?"

Starrk nods. He'd done as much for Shunsui, and a few others as necessary. Aizen had never been able to affect the Captain-Commander again after he'd been let out of Muken. And for all that they'd been nominally on the same side, Aizen had actually tried a few times. Starrk thinks he'd probably just wanted to see if he could, because after each attempt, he'd turn and look at Starrk with something like amusement and something like contempt.

(Once, he'd remarked in private that Starrk certainly had a preference for kneeling at the feet of Shinigami masters, and he'd asked what made Shunsui the better one to serve, if perhaps he also should've forced Starrk to spread his legs for him, if that would've succeeded in breaking Starrk further, in making him even more eager to please, as much as Shunsui had clearly accomplished with him.

Shunsui had overheard. On hindsight, Starrk's fairly certain Aizen had wanted him to, had waited for him to get close enough to hear everything, though for what purpose even Starrk hadn't been able to figure out, because the resulting confrontation hadn't been pretty. It'd been one of the few times Starrk had seen his Shinigami lose his temper, his wrath a silent deadly creature no one would expect, and in that moment, the shadows around them had almost devoured Aizen whole. They'd certainly left their mark in the aftermath, Aizen's flesh cracked open with scars as black as the void. Even then, Starrk doesn't think Aizen had truly been intimidated, but he'd also never said another word of the sort to Starrk ever again.)

"I'd have to get closer to detect his more intricate workings," Starrk admits. "But I think between that and being able to sense him, it's enough of a safeguard without needing to join the Fifth as well. There isn't much of a point to that anyway. It's not like we don't already have a general idea of what he's doing, or where he's doing it. He isn't the sort to leave evidence lying around either so I doubt you'd be able to gather any."

He glances at Ichigo again, finally letting himself relax when he sees the kid nodding along, albeit with a rather grumpy expression.

"For now," Starrk concludes. "It's best to establish our presence here in this time, make connections, make allies, and eventually make sure we have enough people on our side to tip the scales in our favour. Aizen is one thing, but even the two of us can't take down the entire Wandenreich on our own. When the time comes, there must be people willing to believe us even without concrete proof of the Quincy's existence."

He catches Ichigo's eye, intent to get this point across, if nothing else. "No matter how powerful, there is only so much one can do alone. And you are not alone, Ichigo."

Ichigo's face crumples a little, and for a half a heartbeat, Starrk is terrified he's about to cry. Thankfully, that doesn't happen, and a moment later, Ichigo nods, his eyes a little brighter now, his shoulders a little less weighed down.

"Okay," Ichigo says decisively. "Then… I think I want to go to the Eighth." He smiles a bit wryly. "You're both bastards, but somehow, I like that about you guys. And if it's Kyouraku-san, it wouldn't be hard to work under his command."

He stops and grows more solemn, his gaze a little too sympathetic this time. "Will you join the Eighth too?"

"No," Starrk doesn't hesitate. He's already thought about it, had already made up his mind months ago, even before he'd met Shunsui again. His answer had only cemented further after meeting him. Besides, "I'm going to the Fourth."

He thinks of the agreement he'd hashed out with Mimihagi. He thinks of one of the things that had immediately come to mind when time travel of all things had been proposed to him. He thinks of the things he can do, the things he can create.

He thinks of the life he'd bargained for.

"Back in our time," Starrk only says in the end, meeting Ichigo's gaze calmly. "I was told by everyone who knew her that Unohana-taichou was the best healer in living memory. Now she is alive again, so that's what I want. I want to learn from her."

Ichigo snickers, oblivious. "Well, you are a huge medical nerd so I should've known. So long as you're happy I guess. Try not to take over the division again within the year. I wouldn't bet on your odds against Unohana-san."

Starrk rolls his eyes because honestly Kotetsu had practically gift-wrapped her division for him, he hadn't meant to take over, he hadn't even been a halfway respectable healer at the time, he'd just been strong, with the manpower to support the actual healers, and apparently, that'd been enough. He'd been horrified when Shunsui had sided with them.

Ichigo laughs outright, Starrk shakes his head, and with their choices made, the future begins to take shape once more.

[flavinbagel]

No, this is so right, and I was sick to death when these two movies came out trying to explain to friends how much Bohemian Rhapsody fell so flat, especially in comparison to Rocket Man.

Freddy didn't get to have input on how he was depicted but every surviving member of Queen did, in fact they produced it, and I lost count of how many times during that film the band faced an issue, be it record execs who just didn't "get it" or Freddy causing problems by having 100% offscreen bisexual relations, that they overcame by just being so fucking good at rock and roll. Every conflict they face gets instantly solved by riffing 'Another One Bites The Dust' or whatever and being just sooooooo cool and correct.

The film can be summed up in the scene where show the outside of a house where Freddy's at a raucous party living his sexy, drugged up debauchery of drama and intrigue, and all I wanted was to see inside that house, that party, that side of Freddy Mercury's life, but the whole movie is just standing outside on the cold curb, with a tapping foot full of "when will he learn better?"

The movie feels like it was written by Regina George recounting what a fugly slut Freddy was who insisted on going his own sexy way and single-handledly broke up the band (this did not happen this way irl) only to get AIDS and rejoin to... play LiveAid and then movie's over. Roll credits. Insult to his memory.

Rocket Man felt so much less silly and more grounded and honest about Elton John's toxic behavior and self-loathing, also they actually showed the gay romance onscreen because they weren't COWARDS. I have full faith that Bob Dylan won't be a coward about himself either alexa send tweet⁸

“at least one” is doing a lot of heavy lifting here.

[neverenoughmarauders]

Lily's meaningless sacrifice

One thing that irks me is when people suggest that in canon, Lily had any idea that Harry would survive (this is merely a canon post, nothing to do with fanfiction). It irks me, partly because it's just incorrect and that's the sort of person I am. More importantly, however, it irks me because Lily not stepping aside when she had nothing to gain from dying is fundamental to the story.

Let's start with JKR own words from an interview in 2005:

MA: Did she know anything about the possible effect of standing in front of Harry? JKR: No - because as I've tried to make clear in the series, it never happened before. No one ever survived before. And no one, therefore, knew that could happen.

Lily knew nothing about the possible effect of standing in front of Harry. Lily was faced with this choice:

Scenario 1: Steps aside, and Harry is killed.

Scenario 2: Be killed, and Harry is killed.

Scenario 1 is (on the surface) objectively better (unless you're a DE and thus want less muggle-borns around). To Voldemort, it's a simple choice: In both scenarios Harry will die, in one, Lily will survive. In fact, this is what makes a lot of people defend Severus' choice to only ask Voldemort to spare Lily. Severus could not save Harry (and apparently it's totally cool not trying to save others if they bullied you).

Lily could not save Harry.

Lily's choice, as far as she is aware, is not whether to save Harry or not, but whether to save herself. And yet, Lily cannot stand aside. As JKR points out earlier in the interview, what Lily did is not that surprising to us readers ("I don't think any mother would stand aside from their child"). Why? Love. Because, as Dumbledore reminds us on multiple occasions: there are worse things than death - most notably in DH:

"Do not pity the dead, Harry. Pity the living, and, above all, those who live without love."

Love, and life with and without love is an undercurrent in the story. Lily's sacrifice is meaningless when made, and yet it's the biggest and most understandable expression of love anyone can show someone else. Lily cannot, and does not want to, live in a world where she has witnessed her son being murdered - especially when her husband has been murdered too. A world without Harry and James is no world for Lily Potter.

It is also - bear with me - not that different from what it was like to be in the Order at that time:

[Y]ou weren’t in the Order then, you don’t understand, last time we were outnumbered twenty to one by the Death Eaters and they were picking us off one by one...

“He — he was taking over everywhere!” gasped Pettigrew. “Wh — what was there to be gained by refusing him?”

The Order operated against the odds and were being picked off one by one. As Peter asks - what was there to be gained by refusing him? What was there to be gained from standing (metaphorically or not) in front of Voldemort's victims? I've said this before and I'll say it again, Sirius' answer is powerful:

“What was there to be gained by fighting the most evil wizard who has ever existed?” said Black, with a terribly fury in his face. “Only innocent lives, Peter!” “You don’t understand!” whined Pettigrew. “He would have killed me, Sirius!” “THEN YOU SHOULD HAVE DIED!” roared Black.

Only innocent lives. They weren't fighting this war because they were winning. In fact they were very much losing. But they were fighting because it was right thing to do. Many Order members chose to die, rather than to step aside and let Voldemort take over. Only in their case it didn't make a difference - or at least, it didn't feel like it at the time. Members were murdered, and Voldemort was just getting stronger and stronger.

What was there to be gained by refusing Voldemort?

I firmly believe this is a theme that is repeated throughout the book: not just love and choice, but the obligation to choose what is right, no matter the odds (the irony that this was written by JKR will never be lost on me), and how love is a powerful motivator to do just that. Doing the right thing might seem hopeless in the moment - wasteful even - but that doesn't mean it's not worth doing, or that in the end, it won't add up.

Imagine what Harry felt like at the end of PS/SS when he risked his life to stop Voldemort, only to realise that Voldemort would keep trying to come back:

“Well, Voldemort’s going to try other ways of coming back, isn’t he? I mean, he hasn’t gone, has he?” “No, Harry, he has not. (...) Nevertheless, Harry, while you may only have delayed his return to power, it will merely take someone else who is prepared to fight what seems a losing battle next time — and if he is delayed again, and again, why, he may never return to power.”

Harry Potter isn't about doing the right thing because it will bring you rewards, but because it is the right thing.

“Remember Cedric. Remember, if the time should come when you have to make a choice between what is right and what is easy, remember what happened to a boy who was good, and kind, and brave, because he strayed across the path of Lord Voldemort. Remember Cedric Diggory.”

This speech doesn't sit well with a few people because it sounds like you're asked to remember what happened to someone who did do the right thing (spoiler: he died). But that's not the point, of course. Cedric wasn't killed for doing the right thing or making a hard choice - Dumbledore asks the students to remember Cedric because the enemy is willing to kill innocent people indiscriminately. Standing aside will not be good enough against people like Voldemort. There is, as Dumbledore put it, a need to keep fighting what seems a losing battle. Why? Only innocent lives.

Both James and Lily die that evening because they are unwilling to let Voldemort near their innocent son as long as there is breath in their bodies. James had no choice (this irks me because he did, he could have run away - he could have not fought Voldemort in the Order to being with. They all had a choice, but not the point). Lily had a choice. And she chose, like many had before her, to fight what seemed like a losing battle. She died, not knowing that she had saved her son. Her sacrifice was meaningless - like so many before her - and yet her sacrifice changed the world.

In the end, by choosing to do what was right, she was granted the wish she most desired: Her son lived.

[mr-ys-phantasma]

🌙 Moon Phases 🌙

Agatha Harkness X Fem!Reader

Word Count: 2074

Finale I - part 2/3 (Agatha X Reader X Rio ending):

As the fight continued, you could only watch; eyes getting misty at the sight. You did not want to see anyone getting hurt, especially Agatha, who so stubbornly kept fighting.

You gasped weakly when you saw one of Rio's attacks sending her back. The feeling in your stomach got worse when you saw Agatha spitting out blood as she stubbornly stood up, not giving Rio the satisfaction of defeat.

Deep breaths only caused you more pain, but you had to, as you tried to gather all of your mental strength to remain in control. Your hand was firmly placed against the wound, your white magic trying to heal you but failing to do so; the dagger far more powerful than anyone expected.

Seeing Rio and Agatha fighting made your heart beat painfully, each beat causing more aches within. You hatd seeing them at each other's necks when you knew deep down, they still had feelings for one another... and you had for them.

They did not deserve to hate each other until the end of time or fight until one of them was about to die; in this case, Agatha.

You slowly started to stand up, adrenaline the only thing helping as your legs felt weak; the shock of the attack still affecting your body but not your mind, since the safety of your lovers was far more powerful.

Your grip on Billy's arm tightened, using him as an extra support to get and remain up; for the last thing you needed was to fall.

"What are you doing?" Billy asked, looking at you in surprise. He stood up fast, ready to catch you in case you fell back but also, passively wishing to stop you from doing anything reckless. "You should be healing."

You took a moment to answer, each breathe causing you pain. "I can't. It's Rio's knife," you answered vaguely.

Your hand went to the handle, and you braced yourself before pulling the dagger in one quick move. The action made you gasp, hands shaking as you dropped the knife.

You brought your dominant hand on your chest, white magic coming alive beneath your finger. You tried your best to hold the bleeding, reduce it, and stop yourself from dying on the spot.

It worked faintly, but the blood kept coming out, no longer the dagger existing to block it and keep you alive.

You felt the familiar warmth of fresh blood coming from an open wound, but it did not phase you. You had your plan in mid, and that was the only thing you cared about.

Billy looked at you, a continuous support while he tried hard not to look at your bleeding wound. "What do you mean? You will die if you try to move." He argued, hoping somehow he could ensure you would not die on him.

Honestly, he could not bear losing you too; especially in such an unfair and unjust way. You of all witches deserved to survive and live, not fall victim to centuries old fuel between Agatha and Rio.

You offered him a weak smile. "Even my powers have limits, and so does my time here."

He had no words to argue, seeing you so determined despite the fact you were about to die. All he could do was to ensure you were okay as you took the first step forward; eyes always locked on the two lovers locked into this heated, never-ending battle.

You started slowly walking toward Rio and Agatha, not caring about the risk that their wild energy would and could hit you.

Your time, like you had told Billy, was limited. You didn't have a lot of time to act, and every second paasing was vital.

Each step felt heavier than the one before it. Each breath was laboured and brought up pain. The bleeding was not stopping, you're magic was not capable of helping you somehow heal while you were pushing your body to its limits.

Rio and Agatha did not take notice of you approaching until it was too late. Green and purple magic had come alive in their hands, but both froze when they spotted you.

This thing, perhaps, was your only chance to actually interfere, and you took it by the horns.

You let go of your world and focused all the magic you could gather in your hands. You could feel how quickly it was draining you, siphoning all of your energy and power.

Yet, you kept going, and when you felt it was enough; you stopped holding back..

Your white magic exploded all around you, forming a powerful sphere of white energy. It not only lifted wind, dust, and debris but also sent the two lovers on their backs; effectively stopping them from attacking one another.

Congratulations, you had managed to stop them both from trying to kill one another. However, at what cost?

A strong cough escaped you, blood staining your hand that had subconsciously moved in front of your lips. Your powers started giving up on you, and you had to bend one knee to try and save yourself from a nasty fall.

"Y/N!" Billy called your name in worry, so close in rushing to you.

Seeing you this weak and pale, worried both Rio and Agatha; who stood up and were recovering from your spontaneous blast.

Rio was the first to speak. "Get back, Y/N!" She shouted, seeing you trying hard to remain in the middle.

Agatha joined right after. Rio's words snapped her from the initial shock. "Get away from her!"

Their words started to tire you, your patience running quite thin since you were so close to bleeding out to death. You were tired, you were wounded and most likely about to die...

So you would not spend your last moments watching them fight and argue.

You managed to stand on your legs again, though you were unsure for how long you would manage.

"I swear I will keep blasting you until you both stop!" You snapped at them and brought your hand to wipe the blood from the edges of your mouth. Your other hand was still pressed against your wound, though to no avail; blood staining your hand and dress with no intention of stopping. "I don't care what happened between the two of you in the past... I don't care how Little Nicky got involved..." You took in a pained breath. "But I refuse to let you kill each other, over such stupid past and grudge.

And with those words, you could no longer remain standing. Your legs buckled in, knees supporting all your weight as they were forced on the rough ground.

The white in your eyes disappeared, your trusty powers abandoning you faster after the outburst.

Agatha and Rio acted on pure instinct, dropping everything they did and thought as they rushed towards you. They knelt by each side of you, arms spreading to hug and hold you; preventing you from falling forward.

Their presence was comforting to you as you felt yourself getting weaker. With the last bit of your strength, you brought your hands around each of their necks and pulled them closer to you.

"You two better make amends, or I swear... I will come back and haunt you both, " you joked weakly.

You could tell the ending was close, but this time, you were not afraid. You welcomed it, knowing you were in the arms of the two women you loved.

Rio and Agatha did not seem to take your words lightly, and both hugged you tightly. Agatha was the one failing to hide back her tears, her bottom lip faintly trembling.

Rio was better at being in control, perhaps because it was her you would see soon as she took your soul to the next plane. Yet the fact remained that she was not fully okay with you dying, so stupidly none the less.

As Rio and Agatha kept you closer; their hands met behind your back. In a silent moment of common grief and support, they let their fingers interlock.

"You stupid naive girl," Rio said, inhaling your scent as she buried her face into your shoulder.

Agatha hesitated to speak, afraid her voice would crack. "Sugar..." she whispered.

The whole sight brought tears into Billy's eyes, leaving him standing there as you slowly accepted death, and so did your lovers.

You closed your eyes, a few tears escaping as you held them close; feeling them together once again. Your feelings for both went crazy and you wished to kiss them one last time, but you feared you would collapse if you let them go.

As you three remain there, hugging one another; your breaths started to sync, your hearts beating as one as the faint light of the moon was casted on you.

Suddenly, your white magic started to come alive beneath your fingers, starting faint but slowly growing in intensity. The same seemed to happen to Rio and Agatha, one magic influencing the other; bringing it to life without the consent of their casters.

At first, it was so faint that no one noticed, but then this new feelings started to be shared within the three of you. This new combined power started to surge through their bodies and yours, a sweeter and more favourable wind picking up.

Your eyes opened wide as you felt your chest wound burning, and only then did you notice the show of colours taking place all around you.

Rio's green and black magic was alive, wrapping around the three of you, but it was not alone. Agatha's purple had joined into the mix, along with your white one; creating beautiful harmonised combinations as they kept moving around you like live creatures with a life of their own.

Once your fellow witches took notice, they gasped and pulled back; with you copying them.

Colour had returned to your once pale cheeks, eyes glowing with life. Your wound was covered by a mixture of this triple magic, quickly stopping the bleeding and sticking up.

"The wound..." Agatha exclaimed, being the first to notice it.

Rio notices it too, but there is obvious confusion on her face. You were literally with one leg over and now... you were glowing with life, your magic returning and boosting you stronger than ever before.

Then, the answer came, and it all clicked into place. "The power of the three." she looked at Agatha, a smirk of victory on her lips. "I told you she could be part of it."

Once again, you were confused on the topic of discussion; clearly, I had missed quite a few things that you needed in order to catch up.

Agatha always found you rather adorable when you had that innocent and confused expression on your face.

She cupped your cheek gently. "I will explain later, sugar."

With their help, you slowly got up; feeling better than before, but you could go for a long nap.

As you turned to face Billy, you almost got tackled by him as he rushed to hug you. He truly thought he had lost you for a moment, and now here you stand, all healthy and healed.

"How is this possible? Thought you couldn't heal the wound," he said and pulled back, looking at you for answers.

You could not help but smile. "Alone, I couldn't. Together, we could."

Agatha chose to help enlighten the poor boy who had yet so much to learn. "The power of the three. Three witches magically bonded like no other, it enchants and boosts each other's powers."

Billy nodded and looked at Agatha, and then he dared to look at Rio. "So what now?"

It was your turn to look at Rio, holding her and in yours. "Please, let's end this." Rio hesitated to answer, evident in her dark eyes. "Come on, Rio. We will all die sooner or later. Why must you take us now? "

Rio remained silent for a moment, clearly debating the topic in her mind. In the end, she let out a small sigh of defeat.

"Very well," she agreed and lifted a single digit. "One life," she emphasised. "No more cheating death, no more body jumping."

Billy and Agatha did not have to be told twice to nod their heads, more than happy to leave with their lives.

Agatha looked at Rio and offered a sweet smile. "Thank you, my love."

[maxwell-grant]

I think it’s interesting, considering how most live-action superhero adaptations kill off the villains after their debut, that both The Batman and The Penguin end with the villains not just living, but set up to return and somehow cause Even Bigger Problems down the line. Is this just because it’s the first Batman film adaptation that’s a capital-F Franchise, so the writers need the villains to stick around long-term, or is something else going on?

Almost entirely comes down to the fact that The Batman was not meant to be Batman's origin story - by Reeves' own admission, it was the origin story of the Rogues Gallery. They got the Cloverfield and Dawn of the Planet of the Apes guy and he did a story about the boots-on-the-ground gritty perspective on larger-than-life terrors emerging from the ruins and failings of human civilization, taking the struggles and wars and laborious processes that others shy away from and putting them front in center. It's just this time, instead of kaijus and parasites attacking and destroying the city, instead of apes emerging as the Mad Max warlords rising from the ashes to fight over the world, we have Batman villains in that role instead.

To me, that was actually the conception - if we weren't going to do a Batman origin story, but we were going to do it in the early years, I thought well, in the comics, the rogues gallery characters often are creating their alter egos in response to the fact that a masked vigilante shows up in Gotham called the Batman.

And so I thought, oh well, what we could do is see all of the rogue's gallery characters in their origins, like Selina Kyle before she's Catwoman, and that we could go into, as we're looking for a suspect, we could go to a nightclub, a nightclub could be the Iceberg Lounge and we could see a pre-kingpin Oz, and we could see, you know, a Riddler who is declaring himself the Riddler sort of because there's a Batman. And so all of that was sort of built into the conception. - Matt Reeves

It's far from the first Batman film adaptation to be a capital-F Franchise, even if that aspect was there - Reeves initially pitched the movie as an HBO series, and throughout production pitched additional show ideas such as an Arkham show or a Gotham PD show, The Penguin being the only one that survived as far as we know. This pulls off an origin from the Rogues Gallery better than every other Batman media ever made, and there's a couple of reasons why it does so and why the villains get to take center stage here:

Part of the difference between the way Nolan tackled realistic Batman, and the way Reeves tackles realistic Batman, is that Nolan needs realism to explain Batman, and Reeves needs realism entirely in the service of making Batman weirder. Pattison Batman is the weirdest Bruce ever put on film almost entirely because he lives in our world while still being Batman in every way that counts - Keaton Bats slept upside down in a cave, but he lived in a Tim Burton world. Adam West Bats is weird, but everybody is like that or even weirder than he is, he is the comedic straightman to everyone else. And where as Nolan needs Batman to be the thing that makes sense, Reeves needs Batman to be the thing that doesn’t make sense.

Nolan wanted weird difficult irreducible villains opposite a logical pragmatically sensible Batman, and Reeves wants exactly the opposite. For Nolan, even besides the Joker who was defined entirely around the lack of a real explanation for him, you have his take on Two-Face, Bane, the Al Ghuls, characters that don't demand that much reasoning or explanation because they can act and exist in ways that defy logic, while Batman's the guy who has to hold the center of logic and reason. Where as here, Pattison Batman is the most interesting and complicated and larger-than-life figure this world is dealing with in much the same way that Ledger Joker was for his movie, and everyone else is in the position of starting out and having to deal with Batman and the paradigm shift he brings - nobody else in the movie is quite the character they were supposed to be, that's something they're all growing into in response to their nightmare city and what this titanic freak in armor represents to them.

Even The Riddler is ultimately explainable, human, reducible to his tantrums and vulnerabilities, even without you knowing in-depth his character and backstory that would be elaborated for Dano's Year One. Even The Penguin - he may be larger-than-life, he may be unexplainable on some level, but we know all too well all of his failings and feelings and life story and all the cracks in his persona that he killed Victor to try and bury. But Batman? Next to everyone else, he is still an anomaly, he is just Like That, even to his own detriment and that of the city, and he learns that he must apply being Like That to something better.

Reeves is not interested in doing "Batman vs [X]" movies, the movies are going to be focused on Batman's arc first and foremost, which means the villains will never really take them over the way they've usually done - this is a world where it's the villains who react to Batman, not the other way around. This frees them from the burden of having to exist in direct relation to how much they can directly menace Batman, and it makes it so that these are characters that can carry their own spin-offs, which is probably a lot easier for WB to work with because these are spin-offs that they don't really have to get Pattison to show up for, but they can construct in ways that don't even need Batman to be physically there. Even after The Penguin, they might not have to do that Smallville/Gotham song-and-dance of teasing a main character who'll never get to be here, there are a lot of other things happening in Reeves' Gotham besides the existence of Batman, even if the existence of Batman has changed all of them. So structurally speaking this series has a ton of room for reocurring villains, and building it has been one of their top priorities. In fact, this ONLY gets to do so because the movie already laid out the entire groundwork for them and how it all ties together.

See, the way Batman stories do the rise of a Rogues Gallery and how it affects the city and therefore Batman always follows a sort of a 7-step program:

Gotham City is ruled by crime, crime that takes away the Waynes (Falcone / Carl Grissom (89) / Falcone backed by the League (Nolan) / the Falcone-Hill-Wayne triumvirate (Telltale) / Gotham S1 and first-half of S2)

Crime begats Batman, who beats Crime

Crime + Batman = Weird Crime (Jack Napier becomes Joker after an encounter with Batman (89) / "we still haven't picked up Crane and those other Arkham inmates btw check out this weird card" (Nolan) / Black Mask and the international assassins + Joker's rise (Arkham) / Children of Arkham (Telltale) / the Indian Hill experiments and patients (Gotham)

Weird Crime Replaces Crime (The Long Halloween / Joker takes over the mob (89) / the mob is so impressed by the pencil trick they give Joker all the money (Nolan) / Joker literally replaces Black Mask in the process of becoming Batman's main enemy (Arkham) / Penguin assassinates Mayor Hill and the Children enter a war with Mayor Dent (Telltale) / Indian Hill breakout and Maniax cult and etc (Gotham)

Weird Crime is a Rogues Gallery now (Penguin and Catwoman and Max Shreck in the sequel (Burton) / Joker and Two-Face become separate problems, Bane + Talia + Crane + Catwoman in the sequel (Nolan) / after Origins a whole asylum full of them (Arkham) / Riddler + The Pact and John becoming Joker proper (Telltale) / Gotham S3 with Tetch and Riddler and the Legion of Horribles

The city is changed by the new paradigm

Batman responds / expands or retracts in response to this change

(4 and 5 don't necessarily always happen one before the other, mind you, frequently you do have a Weird Crime Rogues Gallery before Weird Crime replaces Crime at the head of the table)

And you can apply this to most other Batman stories that don't automatically start and stay at level 5. But where as all of these have to stretch the process across sequels and continuations, The Batman is the first Batman work that gets to do all 7 of them in one row. It gets 1 and 2 done offscreen before the opening act and shown to us how they happened throughout the movie's reveals, 3-4-5-6 comprise the Riddler's plot + the other United Underworld members roped into it, and it ends with 7. Even the Batmanless spin-offs follow the process: The Riddler: Year One covers Eddie's perspective on 1-2 as he enters stage 3 and prepares it for the movie, and The Penguin covers 4-5-6, leaving us waiting for Bruce's response back to stage 7 where The Batman ended.

And up until The Batman, the process behind the creation of a Rogues Gallery had never really been much of a process - comics that go into the transition like Long Halloween/Dark Victory just show the fall of Carmine Falcone -> the freaks waiting in the wings causing it or happening immediately after. Gotham tries to work that escalation gradually and it starts relatively "normal", but it's always dancing around the premise and the central black hole and the building blocks don't have anything to do with each other - the gang wars and Penguin have nothing to do with Bruce investigating a conspiracy, which has little to do with Gordon and Bullock investigating weird serial killers who keep escalating, and then eventually we get that Hugo Strange was building freaks in his basement at the orders of the Court/Ra's the whole time until they all just escape. You can piece together how Batman works that aren't about this transition ultimately touch on most of those 7 stages and have their own version of it as soon as they introduce Gotham City in a pre-Batman/pre-villain state, but the connections are always rather tenuous and not necessarily connected to each other (and it's fine, y'know, not everything in a story always has to come from the same source).

But everything in The Batman follows a long chain of dominos that had to happen for this system to become the way it needs to be for Batman villains to emerge. Everything started in that one night Thomas Waynes saved Carmine Falcone, everything started from that ensuing connection and Thomas' failures leading to a city ruled by mobsters for 20 years and the sheer level of rot and corruption and human misery that creates and justifies the existence of Batman, and thus The Riddler in his example. Everything we get in The Penguin is the result of this paradigm shift and total civic collapse, showing the destruction of Carmine's empire as well as his legacies torched and mutated by Sofia and Oz respectively. Everything is still connected. The United Underworld guys featured in the movie live and dwell in entirely separate spaces and represent entirely different things, and they're still all connected in the same chain of dominoes, which allows them to expand and cover entirely separate narrative real estate while still giving it all cohesion.

The movie never has to specifically establish a system full of supervillains or made for them, it has to establish a system so utterly fucked and dominated by Falcone, so utterly failed by every institution and body of government and system imaginable, that it creates Batman, and the minute Batman arrives and survives long enough to be a third power / a fifth state, people in his wake trying to respond to him or do the same things he does, as a response to the same afflictions he faced and to his example or influence, are the only logical thing. Without needing to literally show the other rogues waiting in the wings, The Batman established an entire world of possibility just by very smartly using the 4 big ones + Carmine and showing why and how this regular American city becomes a place where supervillains bombing city blocks and running for political office can become a facet of daily life. Joker, Penguin, Catwoman and Riddler - positioned as separate from each other as possible to show the ways in which this is, and maybe always has been, spreading fast out of Batman's control.

And now with The Penguin, reinforcing the chokehold of crime in the city in it's old ways as well as the corrupt mutated new ones brought on by our boy, as well as a new Batman Villain (possibly two, if Eve Karlo ever gets her hands on suspicious make-up) arriving from Penguin's side of things so that it's not just Batman who has a Rogues Gallery to deal with, not just Batman who has terrific enemies waiting in the wings for a chance to enact their own forms of justice and revenge, no, that's just what life is like in Gotham now, forever.

[niby-skaje]

This. It isn't to say there is absolutely no bad - or maybe more accurately, rushed - writing, there is some, but many "problems" aren't really problems, they just aren't at the center of the story, because they don't really concern our Rook and the team. We have to save the world for fck's sake, we really don't have the time to delve into every injustice there is.

We still get the missions and the dialogues and codex info that show it's all still there - for example I remember Lucanis talking about Caterina and his childhood. He specifically said that he forgave her why? Because his childhood wasn't happy. She was family and still he had it rough and doesn't talk specifics because he's clearly traumatised and would rather not bring it back.

Just the fact that we are in the North and the influence of Chantry isn't that strong for the factions that we surround ourselves with means that we naturally have to shift our focus from the traditional mage-templars conflict (and I'm for one thankful as after 3 games I was ready to leave it behind for a while). We're not in Kansas anymore.

This isn't just about Blight, just about surviving, just about the South. We have a very clear, very focused target as a team and as a player. We have a lot of work to do to get there. We don't have time to play hero for everyone everywhere because we are already doing that for the whole Thedas. We are already stretched thin. And just because we aren't personally freeing the slaves or seeing them in the poorest part of Minrathous doesn't mean they aren't there. People just have to pay more attention to dialogues (not even codex entries - dialogues!)

Listen.

I love y'all, but some of you need to understand: the writers are not being shitty. The writing is not bad. The lore is not being ignored.

You're upset because your headcanons are not being followed.

Something Tolkien fans are constantly encouraged to do is "go back to the source material." This sounds basic, but Lord of the Rings alone is a massive book - if someone broke into my apartment, I stand a more than reasonable chance of beating them down with either of my illustrated hardcover copies. By the time you get through reading it, it's easy to forget small details in the main body of the work, much less the introductions and the appendices, and that's BEFORE you try absorbing everything in Lost Tales, or The Silmarillion, etc, etc.

Now imagine you come to Veilguard, and maybe you've been playing Inquistion because it feeds directly into the game. Maybe you played Origins, 2 and Inquisition in a white heat. Great! But those games include a lot of choices, and SO MUCH CODEX material. It's almost impossible to retain all of that knowledge all at once in your head, especially in games where you can miss shades of meaning due to the dialogue choices you make - and I often see people who claim they tend to make the same choices every time.

The reason we Tolkien fans are told to go back to the source material is that it's so easy to slip into assumptions. A great example is: do you actually know what Rangers are? Or do you think of them in D&D terms?

Dragon Age is a story that mimics the unreliability of History, where one characters's perspective and story may not be the same as another's, and neither are necessarily wrong or right - they're simply parts of a whole. And it's wild to watch y'all bend over backwards to defend your headcanons instead of accepting that maybe a character was wrong, or misinformed, or unreliable, or has a limited perspective.

[plounce]

my scion animal assignments (aka the daemon au that lives in my brain)

alphinaud: fancy rat (very smart and social, a little scurrying guy, busy little hands, can learn tricks, good to ride around on a shoulder, prey animal)

alisaie: coati (clever little omnivore with prehensile tails. females are very social with each other and form lifelong social ties (and also have bigger frontal cortexes than the males!) (my original thought was ocelot/margay although im veering away from that bc kit miqosquat @sunquail pointed out those are rather solitary critters. they also suggested magpies or woodpeckers? i also admit i have some biased fondness for coatis since they were in a local zoo when i was growing up heheh. this one might change - luckily in a daemon au we can sort of fudge when the twins settled. i think alphinaud settled earlier than alisaie.)

minfilia: luna moth (i knew i wanted a moth bc of flying towards light, the mythological tie to death, and the fleeting life - adult silk moths (which luna moths are) live an extremely short adult lifespan and literally cannot eat in their adult bodies. i went with luna moth because they're very striking and pretty)

yshtola: some species of pit viper (venomous, and an ambush predator. the duality between the venom and the association with healing. pit vipers (rattlesnakes, for example) have very poor vision but have extremely good heat-sense and sense of smell. y'shtola to me is someone who waits for the right time to do things and then does them very dramatically. snakes are also just sort of occult.)

thancred: coyote (has to be SOME type of canine. scrappy little scavengers who are so good at thriving under pressure. seen as a pest. evolved as a secondary predator. canis latrans = talking dog. social patterns can vary and adapt throughout an individual's lifespan - solitary, in a pair, in a pack. i have more coyote facts if you want them)

urianger: bearded vulture (so augury was a roman practice of divination through birds (also the source of the words 'auspicious' and 'inauguration' - and augurelt!), and augurs were the people who read the will of the gods through birdwatching. so it has to be a bird. vultures were a majorly important bird in augury, and i like the parallel you can draw between a scavenger of carrion and the hvw and shb gambits urianger was part of. i settled on bearded vultures bc i also wanted to pick something visually suitable as well - bearded vultures have a head of feathers, and have a sort of gawky golden elegance that suits urianger well. hey wikipedia also just told me that in ancient egypt vultures were associated with motherhood - i always win and i NEVER lose.)

ryne: cheetah (a lightning-fast predator who is also extremely anxious and needs companionship. the emotional support dogs from zoos also ties nicely to thancred being canine. her unsettled forms were mostly small little prey animals - rabbits (baby birch by joanna newsom), little songbirds (for the cage association - nightingales and canaries), lambs (sacrificial slaughter), and a lot of trying to force her daemon to be butterflies/moths to match minfilia.)

graha: meerkat (a funny little clever guy who builds a big city and needs to be in a group of people and also he can fight a poisonous viper. ballsy. the sweetest of the mongooses. to quote kit: "they're weirdly possessive over Their people. like they're cliquish kinda, they're extroverts and love to hang out with people, but they have THEIR special people also. who are favoured")

tataru: potbelly pig (extremely intelligent and cute. and PINK! my reasons are simple but effective.)

estinien: [placeholder] (i haven't put much thought into it bc my main thoughts for a daemon au would be about ryne settling during the events of shb and he isn't in the scions for that. has to be some type of predator that can survive in harsh conditions and isn't very social. a few of you are saying hunting bird, which is intriguing... like a heron or a cormorant. maybe an albatross? i'm also thinking snow leopard maybe, but also :/ lord asriel from hdm :/ )

krile: mourning dove (migratory. i think she'd be a domesticated animal, and they're close relatives of passenger pigeons. my main theme i identify for krile is constantly being the lone survivor/arriving late to the grief (minfilia, the isle of val, eureka story choice, the ninth). the colors also suit her. and there's a certain melancholy calm to her... also there's a huron/wyandot story about mourning doves guarding the entrance to the underworld that made me go HEY. OKAY LET'S GO)

[angelwishess]

୨୧ The Little Mermaid; Floyra AU!!

Floyd takes the role of Ariel, and Kyra takes the role of Prince Eric!

Tagging: @taruruchi @scint1llat3 since you guys seemed interested!!:3 and @screamintoad @gimmeurmoneyagh for being the #1 Floyra supporters ever HEHE <3

Rambling under the cut ~

Notes:

All of the characters in this AU are over 20 !!!

I’ll try to seperate this in different parts according to major plot points n’ stuff teehee (cw: mentions of alcohol)

In this AU, merfolk have not been seen in over a hundered years. Kyra is a princess and heir to the throne of a flourishing kingdom by the sea, and one day decides to run away for a little bcs she was bored HAHAHA

She hitches a ride onboard a ship of pirates, their captain being Jamil. While they were celebrating their new “crewmate”, a loud crash was heard coming from the nets.

Caught in the nets was Floyd, who the pirates planned to sell to make a fortune. But, Kyra couldn’t let that happen. And so she freed him in the middle of the night and helped him get back into the sea. (He actually bit her while she was cutting the ropes, and it left a scar.)

All the while, a terrible storm was brewing, and it eventually sinked the ship— causing Kyra to fall overboard alongside the rest of the pirates.

Floyd saved her, swimming her back to safety on the shores of her kingdom. That she tried to run away from.

As a week passes, Floyd began to not show up to help Jade lure in customers for Azul more often. Choosing to instead swim up to the surface, and around the shores he last saw Kyra.

One day, there was a parade. But in the middle of it all he saw Kyra sitting there on a grand parade float, surrounded by beautiful flowers. And he realized he had to see her again.

He swam back down, going to find Azul hoping that he’d give him a potion that could turn him into a human, even just for a little bit. Although reluctant, Azul makes a deal with Floyd.

Azul would turn Floyd into a human for a month, but he takes his voice in return. But if Floyd doesn’t get a kiss by the end of the month, he’d turn back into a merman.

Azul wasn’t too worried, the contract was made just to ensure he wouldn’t spend too long up in the human world. But, he was sure Floyd would eventually get bored and return back to them.

..Right??

Once on land, Floyd made his way to the palace where he was sure to find Kyra.

He managed to get rather far into the palace, slipping in undetected. It was a good run, until the guards discovered him, and began to escort him out.

Of course, they were stopped by Kyra, who was curious as to what was happening. And after seeing him, she immediately ordered them to release him.

Not having much of a choice, the guards let him go and Floyd pretty much runs to Kyra. 😭

Kyra, however, does not remember Floyd. She does not remember much of the day of the shipwreck other than tiny bits and pieces. But if its one thing for sure, she could never forget his eyes. One look into them, and Kyra knew there was something special about him.

Ever since this day, the two became inseperable. Much to everyone else’s dismay.

Floyd was nicknamed as the princess’ “jester”, as he didn’t do anything around the palace other than follow Kyra around and make her laugh 😭, but he still was allowed to do anything and everything he wanted to without any concequence, as Kyra would always be quick to make an excuse for him.

Kyra did teach Floyd sign language, but Kyra developed a strange skill to know exactly what Floyd was trying to say even without it. Talking with facial expressions to the max fr 😭

Ever since meeting, Floyd would get Kyra to sneak out of the palace more often. And the two had the most exhilerating of escapades. In less than a month, they had made a wonderful array of unforgetable memories. The most fun they’ve ever had!

While they were out, Kyra and Floyd ran into Jamil, who had also survived the shipwreck. Despite not remembering much, Kyra does, in fact, remember Jamil trying to kill her at some point.

So!! She immediately turns around and makes a run for it, dragging Floyd with her.

Jamil notices them, though. And while he doesnt exactly try to chase them, he does recognize them. Especially Floyd.

Meanwhile, with Azul, Jade and Elena… They have come to the realization that Floyd was probably not coming back anytime soon.

With only three days left, they had to come up with something to get him back. So, they send up Elena to the surface to try and get Floyd back.

While Floyd was happy to see his dear sister, he stubbornly refused to go back with her. Leaving Elena to wander around the kingdom, trying to find what Floyd seems to like so much about the human world.

Wandering into a bar called the “Mermaid’s Tail”, she sits at the counter beside an obviously intoxicated man.

She was about to leave, until she heard him grumble something that caught her attention.

“..If it wasn’t for that stupid sea beast, and that girl…”

Realizing Jamil must know something, Elena began to buy him drinks to get him to talk. Dragging out infromation and more from him, taking advantage of his intoxicated state.

“I see… Well, I just happen to know someone who can help you. Come by the shore near the cliffs, tomorrow at noon.”

Well, he had nothing much to lose anymore. So Jamil ended up waiting by the shore just as she said.

Suddenly, a tall figure emerged from the water. A teal skinned eelmer, that looked strikingly similar to the one that was caught in the nets of his ship that fateful day.

He found himself being led by the mer to a cavern near the cliffs, there he saw two others. A larger octopusmer, and a mermaid that looked eerily similar to the lady he met at the bar… Wait a minute.

Azul began to speak, trying to strike a deal with Jamil. Stating that they both wanted something, and they could help eachother.

If he married the princess, he would become royalty. And Azul could help him do just that. In return, Jamil would bring back Floyd to them.

(This is actually a ref to the fact Kyra was originally shipped with Jamil … Yeah I can’t believe this is how I admit this on this blog 😭😭)

Jamil eventually does agree to the deal. And Azul gives him a necklace that allows him to hypnotize whoever he pleases. (Basically just Snake Whisper in jewelry form LMAOO)

With two days left before the month ends, neither Floyd nor Kyra knew what was about to happen.

Jamil successfully got into the palace, hypnotizing Kyra into marrying him.

Aand this is the part where ive gotten stuck LMAO. Im not sure what happens next, but Floyd does manage to snap Kyra out of it, and Azul, Jade and Elena do accept that he has the right to make his own decisions and do their best to respect it.

Jamil and Elena … Something’s probably happening with them after everything actually HAHAH

Kyra and Floyd do get engaged!! They run away together, travelling the world together and seeing everything there is to see. And spreading their chaos everywhere they go. And so !! Even more silly fantasy shennanigans HEHEHE

HEHEHE OKAY I THINK THATS IT !! YAP SESH OVER 🤭

[accio-victuuri]

THE Life of Us/Drifting MUSIC VIDEO IS AMAZING 👏🏼👏🏼👏🏼👏🏼

I think one can make an entire essay long post trying to explain what the scenes could mean. I’m glad that XZ was able to meet and work with a director like LIN who was able to execute this. I can only imagine the creative ideas XZ had for this and to have someone understand his vision and bring it to life is special. It’s so obvious the time, effort and money spent on this and we got it for free. The entire album is free to listen to. I just. Everything about this drop is such a slap to the antis who said it will be 9 covers and 1 original song but XZ goes bitch hold my beer lemme give all original songs and high quality music videos. oh wait, let me write some of the songs too. let me put in some details in my life there just to make it fun. how about that?!

which leads me to those said details/references that someone has compiled. i’m gonna share it here. 📝

P1: the person climbing a ladder in the clouds is something he drew before. I’m proud of him cause this idea of his has been realized. this reminds me of jack and the beanstalk!

P2: the books are design related. i’d like to think it’s his favorite go-to books!

P4: Knitting yarn! XZ knits!

P5: this is pretty obvious and recurring theme when it comes him - the little prince 🌹

P6: more of a comparison from when he was designer xz to now. he was wearing something similar.

P7: Life of Us = Life of Pi. Which is explained more in P8. OP mention that the main character Pi said when writing in his diary: "Everything has become chaotic and broken, I can no longer distinguish between daydreams, sleep, and reality.” The movie/book is a story about a young man who survived a shipwreck and drifted on the sea.but the deeper level seems to be a discussion about human nature, animal nature, and divinity. It’s about the struggle between ego, id, and superego.That tiger may be Pi's heart. What is drifting on the sea, for Pi, is me and "I"; and Pi, It seems to be the epitome of every "us". Finally, Pi told more than one version of the story, and he asked: "Which version do you prefer?" In fact, the choice of the story has always been "me".

"Life of Us/Drifting" sings "What is a dream, what is my greatest fear" "What is a dream, what is what I want most" It’s a question about your own heart, and only you can give the answer.

P9: that scene in the movie ET

additional ones, his favorite paper plane making an appearance and a similar shot from the animated film castle in the sky.

and i noticed that one take where you can see some vintage things like the telephone, but i realized that xz is almost the same age as me so these are things we grew up using!

i’m sure there are more details here and not to mention the hidden meanings too. but that is what makes this video so fun to watch multiple times! you can discover something new each time! I hope they release some behind the scenes on how this was created and all that. i think there should be a documentary of sorts connected to this album if i remember correctly. so yeah! so much more in store for is when it comes to this album 😊

[legendary-lunatic]

I absolutely love that insight because you’re so right. Magnus is really interesting in that it’s a blend of first person accounts from a largely outsider perspective through statements, and it really does require that the source of the information does have the chance to get away at least long enough to tell the story- which gives us a sense of security but also is rather disturbing when it comes to finding that MANY of them fail to ultimately escape anyways and disappear after the fact.

I think that’s one of the things that makes Jonathan’s role as the Archivist and the Eye so terrifying; Because even after these people get away there is something feeding off of their experience, lingering in the corner of their mind and drawing them back to some of the most disturbing moments of their lives so they can’t move on from it. Jon could have easily been the scariest Avatar of them all had he not fought to maintain his humanity to the degree he did, and the moments where he slipped and we find out what an eldritch horror he is to those living who talked to him personally are creepy as hell.

In a way it’s the Fear to feed off all other fears, and I think it’s fun that that parallel also applies to the listener- we ourselves are voyeurs to all of the bizarre happenings and deriving amusement from their suffering.

But there is certainly a whole toss up regarding choice and inevitability in the Magnus Archives as well. Sometimes we get people who recognize the situation for what it is and have either the opportunity or the character circumstances to survive out of either mental fortitude or luck, but by and large the majority were seemingly picked and doomed to fail for no other reason than they were unlucky. And thats the scary part, as much as I love to champion those that managed to resist. Sometimes you see a spider when you’re a toddler and it comes back to kill you as an adult because F*ck You, that’s why.

The ones like this are thought provoking though, because we wonder if you can just not care enough if it’s possible to avoid the horrors….. But then there’s also the Homophobic Vase-

‘Do Not Open’ is still one of my favorite episodes because of this absolute legend. He’s at the top of my list of badass people who survived encounters because they just ain’t with that shit.

An icon.

[neostellarjpg]

On the caption on one of your beautiful pieces, you mention davesprite and nepeta having symmetrical traumas 👁👁👁 please enlighten me (if you wish)

nepeta suffers a very feminine loneliness, with a fixation on romance and an unrequited crush. she emulates the role of the selfless and giving love interest, but she knows that she has no actual chance of becoming this person.

davesprite is the same, of course, with the hero role. he's constantly emasculated by the narrative, and indirectly warring with his "better" self, whom his friends clearly prefer over him. his loneliness is based on jealousy and frustration in powerlessness, while nepeta's is a more wistful, passive yearning.

both try and fail to emulate feminine and masculine story roles respectively, and are able to access the opposite images in a more wholesome way when they become each other.

i tend to compare them through this story trope angle and how it relates to gender, but their actual upbringings are worth considering too 🤔 toxic masculinity was imposed onto dave by his abusive guardian, whereas nepeta was taught tenderness and affection by her lusus. but at the same time, her isolated living and the fact that she had to hunt for food with her bare hands is also pretty hardcore. in a way, traversing the wild and battling massive carnivorous alien beasts for her own survival could probably be considered her own kind of "training." that's why i draw her with lots of scars and stuff (though they're not visible in most of my uploaded art because she's heavily clothed lol). my davepeta design inherits physical scars from both of their components

[kwillow]

Mail time. Theo clearly isn't the best candidate to lecture people on "good manners" but that's not going to stop him.

Also using this as a header for more LORE RAMBLES: THEO EDITION, because again I have more interesting asks about Theo than I can answer with drawings -- so REAMS OF WORDS it is!

Questions and answers under the cut...

Well, Theo isn’t terribly fond of the guy. He’s never met him, of course, but from his research into Old Kingdom history, he thinks of Ambroys as a conceited, shallow, disloyal, cowardly liar – and he’s not exactly wrong, ha.

If they met in the past, when Ambroys was his cocky, younger self, I think Ambroys would take advantage of Theo’s poor social skills and unpopularity by bullying him for some cheap points with other people who would find amusement in that. Ambroys wouldn’t have much use for him otherwise. Theo would spend far more time seething about Ambroys and plans for his revenge on that POMPOUS POPINJAY than Ambroys would spend thinking about Theo at all.

If they met in modern times – well that’s something we’ll address eventually, but Theo and Ambroys would not get along much better. Present-day Ambroys does not like mages one bit. Also, he is quite used to being literally worshipped. A little hater like Theo would not be looked upon kindly.

Thank you!! Now you too are present in a lore dump!

Theo is indeed a fan of the performing arts, and art in general (though he is, predictably, very particular in his tastes). Opera and such was performed during Ambroys’ time, and much of it was likely lost during the apocalyptic era between the time of the Old Kingdoms and the modern day, but I imagine some scant examples of the genre (and traditional plays by the likes of Furry Shakespeare, because Shakespeare is one of those people who just exists in every universe no matter how bizarre) would still survive into the Theo’s time.

Theo’s hometown of Northcrest would be too small and rural to have a real theatre, so experiencing “proper” performances would be rare treats for him, when he followed his mother on business excursions to the rich districts of Ironfrost. I love that you picked up on the fact that he would want his own private box, haha. He wants to observe, not be observed!

You’re right that musicals would probably still be in their vaudeville and burlesque era, and Theo would find them to be distasteful, vulgar pap suited only for the soft, feeble minds of the unwashed masses, not a refined intellectual like himself. (Which is funny because I think a real-world modern-day Theo would like musicals because in some ways, he is a theater kid without the charisma or confidence to actually perform.) While his mother did not enjoy theatre to the same extent he did (her tastes were more in feats of choreographry and human/anthro excellence like ballet), they would bitch about the decline of society together if they saw a poster for one of those terrible, gaudy cabaret catastrophes. In general, Theo hates anything modern and likes anything old-fashioned, and that shifts according to the decade he lives in. An Amaranthine Theo would hate swing music, but a real-world modern-day Theo would like it. Embarrassing!

Also, he will memorize and quote his favorite soliloquies at people for the faintest of reasons. Don’t test him.

No, I don’t think Hyden has strong enough arms or a sturdy enough back to lift an entire person, even one as little as Theo. Hyden might be large but he’s not as powerful as his height and bulk make him look. I think even Theo is more physically adept than Hyden is (and that’s not saying much).

Also, while he would learn to tolerate it from someone like Hyden (in the same way your cat might begrudgingly tolerate you grabbing their little feet), Theo does not like being picked up by people. I can speak from experience than when you’re a short person, people love to pick you up randomly to establish dominance and it’s not a very dignified experience. Theo has a hard enough time being taken seriously even without being lugged about like a wheezing sack of flour.

Theo would be the first to inform you he is not the person to consult on romantic matters. At the same time, he would still give his advice: stop being a fatuous little fool and turn your efforts to matters of greater importance, like work or supporting your family or collecting every edition of your favorite encyclopedia or hitting your head against a wall. All would be better ways to spend your energy.

(I think you’re alluding to a person with a crush on him – God knows why such a person would exist in his universe – asking him for romantic advice, but I feel compelled to specify that the message he’d give a man seeking instructions on how to deal with a lady would be akin to “GET A JOB. STAY AWAY FROM HER”)

(Or maybe you mean someone Theo has a crush on? Well, the answer would be the same. Theo isn't duplicitous enough or proud enough to try to swindle someone towards viewing him as a romantic prospect. But he sure wouldn't suggest they get with someone else. NO ONE IS ALLOWED TO BE IN LOVE. STOP IT, HE SAYS.)

Yes, those are self-inflicted injuries. He’s had a compulsion to bite and scratch himself ever since he was a kid. Sometimes as a punishment, sometimes as a ritual to quell distressing thoughts, sometimes out of the need to replace distressing sensations and events that are out of his control with one that is in his control, no matter how painful.

He does not particularly value his body nor its integrity. However, he is aware the scars are alarming, and finds them somewhat embarrassing reminders of his flaws in self-regulation. He deals with both the sight of the scars and the urge to harm by wearing his gloves, which is something he started doing in his late teens – they cover the marks and help redirect him by replacing the sensation of flesh with fabric when he goes to bite down.

On your question about Theo’s body-image: no, he does not care for how he looks. He likes that his eyes are grey (like mother’s) and that his fur is monochrome (like mother’s), and if pressed he might say the eyebrows aren’t bad, except for the parts where he’s pulled the hair out of them, but that’s it. He hates that he’s not just short but dwarfish, he does not like his heavy-set build, he would not choose to be born a rat, he despises his face, his teeth repulse him, he at least can make peace with the fact that he can’t grow facial hair because he’d never want a mustache like his father’s but it’s still somewhat emasculating, and on and on and on with the insecurities. He definitely feels physically inferior to other males. Your average man is not only much, much taller than him (and the world is cruel to a short king), but stronger and more classically virile as well. But he makes the best of that by dismissing those physical qualities as consolation prizes afforded to males who are obviously inferior to him intellectually, morally, and spiritually. He doesn’t care for brutes, but he doesn’t highly value machismo anyway… He thinks of himself as a gentleman whose best qualities reside in his mind and actions. A man who is reedy and petite but smarter or more charismatic than him is much more threatening to his ego than the bulkiest bruiser. (However, he will still try to fight both for dominance, either physically or verbally, and probably lose.)

Theo is highly offended and disgusted by nudity, both other’s and his own. Even states of mild undress are distressing to him, hence why he looks away when buttoning Hyden’s shirt. He’s willing to stomach some discomfort when it comes to helping a loved one, but only if it’s strictly necessary. He would pointedly not look and scold someone, even someone he was more comfortable with, if they were “too underdressed,” and freak out if they came into his vicinity in the nude. I think it would take years of gradual desensitization to lessen his negative reactions to nudity. It’s not just him being fussy, it borders on a phobia.

(Haha this shows how long I sit on asks before I get around to answering them SORRY...!!!!)

I don’t talk about it a lot because while the character’s sexual orientations do inform their lives and development, romance and sex are not usually at the top of my priority list when it comes to my stories… but I’ve alluded and mentioned directly that Theo is “canonically” bisexual (always feels weird to say “canon” about my imaginary friends, ha). But he is in denial/in the closet about it. Of course, he wouldn’t be aware of the concept of “bisexuality”, nor would that exact label exist in his world, so it’s not like he would identify that way even if he wasn’t repressing hardcore.

He is revolted by sex and intimacy, but that’s more due to his psychological baggage, his perception of his parent’s relationship and his cultural mores than something necessarily inborn or inherent to him.

(Hyden is actually Also Straight, possibly even straighter than Ambroys if we’re measuring by “creator’s admittance that character may be bi-curious one day.” I have a track record.)

Only if it’s karmic in some way, involving a person or persons he’s already predisposed to hating. Granted, dying of one’s own stupidity would be a form of justice in his eyes, but there’s limitations to that. Hearing about, say, an incident like Nutty Putty cave would not be amusing even though he would argue it’s the cave explorer’s “own fault” for going in there because it was such a gruesome and prolonged end, far outweighing the punishment Theo would find fair for such hubris. Of course, if the same cave explorer bullied him in prep school, then yes, it would be hilarious.

I don’t have a character named Herbert, so I am assuming you mean Theo here, from context. :’D

I’d like to draw Theo practicing his fencing some day! It’s on The List along with, er, fifty other drawings, ha. There’s just so much I need to make and so little time…

But besides that, Theo is not a particularly sporty guy. He doesn’t tend to enjoy competitive sports, either participating or watching. Physically he’s just not suited to them, and his schoolboy days did not endear him to them.

He does enjoy taking walks and admiring picturesque landscapes. He also hunted with his mother. One of the duties of the Norths is (or was, before he started shirking all his duties to focus entirely on his madness quest) to eliminate monstrous predators lurking on the outskirts of their territory before they could terrorize the mundane locals. Mages can sense magic, and thus are more capable of tracking down and felling corrupt magical beasts than your average person. Also, sometimes one wants a pheasant for dinner on special occasions. So, he grew up learning to hunt, and he’s decent with a rifle. He doesn’t go out to do much anymore, though. His mother’s death and subsequent self-imposed isolation exacerbated his already present issues with social phobia and paranoia, so he doesn’t feel safe outside his house. Someone could see him out there, and Something could happen. (He isn’t sure what exactly, but surely nothing good.)

During the course of Amaranthine’s story he is, of course, forced to go outside again and travel, so he’ll rediscover his hobby of killing animals again. …Good for him. I suppose.

(This is in reference to the tags I put on my post of Theo's romance meme: #ok one piece of commentary: brain problems + highly repressed upbringing = where i put theo on the kinky slider. it had to be there #you should think less '50 shades' and more '50 year old guys waxing poetic about quicksand scenes in old adventure films' for that one #he's not a quicksand guy. but that's the vibe.)

Hahaha, I appreciate your curiosity, but I’m not sure if it’s a terrific idea to share Theo’s “quicksand” equivalents. Alas, I don’t want to encourage the perception that my characters exist to be romantic or sexual wish-fulfillment, instead of the dysfunctional little narrative fidget toys they are, by going too in-depth too often on their hypothetical sex lives. Also, I get my (un)fair share of fetish-mining asks, and if I mention certain kinks, the senders of those asks might think they can wheedle that kind of smut art from me, which… is not the case, even if I did like the things Theo is partial to. Frankly, I don’t have time to draw smut art when I have so many comics of my characters angsting at each other that I ought to be drawing instead!!!

Anyway, complaining over. But I do know what Theo’s “interests” are, and don’t worry, they are suitably cringe. I find amusement in giving embarrassing proclivities to all my favorite characters, even if it will never come up in their stories. It keeps them humble.

The Theo befriending scenarios are becoming more elaborate…!

Magic can’t really do that in Amaranthine (it’s more limited than a lot of people think)! But even if you could, I think Theo might realize something was off eventually. Granted, he is blind to a lot of manipulation when he trusts someone, and for his own stupid reasons he trusts Hyden, so that alone would provide cover for some time. Being nice to him in Hyden’s guise might even fulfill some boyhood dreams of his, so that helps too. Still, I don’t think anyone but Hyden could manage to act like Hyden forever.

Theo abhors liars, manipulators, and traitors (I know, this is very funny considering I just talked about how Theo likes Hyden – again, Theo is not a great judge of character). While he would be mortified at his own gullibility, it’s not like he’d spare you any judgment for being the one to take advantage of his hospitality in the first place.

So, in attempting to befriend him, you would have 1) caused harm to someone he has charged himself with protecting by kidnapping Hyden, 2) committed the sin of deceiving him and 3) wounded his ego by exposing a huge vulnerability in his psychological armor. These are not crimes he is likely to excuse. Among Theo’s many faults are his capacity for spite and appetite for disproportionate vengeance. In other words, he would want to hurt you very, very badly.

Anyway, in summation, this is not a great way to try and win Theo’s affection. If befriending something hostile is what you’re after, I’d recommend purchasing a pet cobra or something, it would be more rewarding and less difficult to manage.

Ooh, this is another one of those “it depends” sort of questions… an Amaranthine Theo is completely unsuited for parenthood because he is just totally off his rocker and devoted to an impossible, nature-impugning, corruptive madness quest, so there’s not really much space left in his brain for any of the tasks involved in parenting.

Also, how well and in what way he would approach parenting would depend on if he has a partner and who they are, if the kid is biological (and therefore an extension of the North line) or adopted (and therefore might be spared some of those expectations), and what the kid or kids are like.

But, I’ll try to speak generally. He does put an importance on family so he would not be neglectful. In fact, I think he’d tend towards being smothering, way too over-protective. He would have high expectations for their academic career (despite flopping in his own) and would be upset if his children didn’t share his interest in intellectual pursuits. He lacks a lot of knowledge about life, and so he wouldn’t be able to pass that on to his children, despite desiring that they be self-sufficient and capable. He would try and keep them from being romantically involved until they could marry, which he wouldn’t think would be difficult considering how he himself is, but I think he would be disappointed and frustrated by the fact that most people (and therefore probably his kids) aren’t so averse to macking on other teenagers in their school days. His tendency towards being neurotic and temperamental would be an issue, and I think even if he tried to control his explosive tendencies around his children, they’d still pick up on it and be afraid of his moods. I think, with his immature development, he would have a lot of difficulty not descending to a teenager’s level of petty sniping if his teenage child did what teenagers do and started challenging him.

So… this is not painting a rosy picture. Don’t get me wrong, he’d try his best, and he would aim to be a good, supportive, and loving parent, but the man has issues. He wouldn’t be perfect. He might not even be good. He is Theo, after all.

Speaking of parenthood, let's get into some...

Family Matters

NO, they did not like each other. Their passive-aggression is as genuine as it is petty. They were the most divorced people to still technically be married.

Love was never in the cards for these two. The marriage was purely strategic, and all parties were aware of that. Leonard would have liked to have his wife love him, if only because it would be much more pleasant and convenient for him, but it wasn’t a requirement. He could seek love elsewhere if need be. He was always an opportunistic fellow that way.

Jo never held fondness for Leonard, either before or after their engagement. The marriage was at the behest of her father, and Jo had always put her duties to her family line above whatever selfish wants she might have had. She was willing to tolerate Leonard, which is about the best you could expect from her. However, he tried her patience too often to maintain even that level of camaraderie.

Leonard liked how Jo looked, and he liked the idea he had of her personality. Because Jo was deferential to her father, he assumed she would be similarly deferential to him. Hahaha. Not so. After her father passed, she inherited the Barony and thus, in her mind, the right to dictate the use of her family’s assets, the alliances she would forge with her noble connections, and the future of her estate. All her plans conflicted sharply with Leonard’s ideas of what he was going to do with the North’s influence, and he thought himself the keeper of their assets by patriarchal right. They clashed often and they both were too proud, power-hungry, and conniving to reconcile.

Leonard stayed because giving up the marriage would be giving up his avenue to social power. If he wanted to appear like he held the reins to potential allies and business connections, he had to stay in the manor, stay in Northcrest, and keep that ring on his finger. But he did take a very “I just live here” attitude to his home life. Jo stayed because her family’s long-held values maintained that it was her duty to do so, and to falter in her duties would be a permanent black stain on her good name. Also, it proved her superiority to the clearly weak-willed, dissolute Leonard, and that was an ego boost she wouldn’t pass up.

AHAHAH. THEO PEGGED FOR INBRED.

Yes, well, as you intuited, the Norths are one of those inbred noble families, like those you mentioned.

They’re a mage bloodline, and in the old days, mage nobility was a separate form of titled aristocracy from mundane nobility. Legitimate heirs had to have magical ability. If a mundane Viscount produced a mundane child, that was the end of the line of inheritance. Hence, noble mages in the Old Kingdoms only married other mages, to try to ensure their offspring could inherit their titles. While not all practiced inbreeding, it was a practice some families employed to try to “enhance” the magical ability and purity of their line, or just keep their wealth and power within their family (the Hyden family is another infamous example).

However, most magical lineages were wiped out during the fall of the Old Kingdoms, and those that survived were scattered to remote areas of the continent. Very few mages still exist, and the North family is one of the only lineages to survive “intact” to the modern day. They cling to their family’s history and their magical bloodline as their source of power and would never risk a union with a mundane. Like many other old traditions best left in the past, the Norths clung to the old ways, marrying within their line, inbreeding like an endangered species (which I suppose you could argue they were).

Of course, as the North’s numbers declined, the marriages shifted from pairing distant relatives to being cousin-cousin pairs. That level of consanguinity isn’t great for your offspring’s health or fertility, as it turns out, and further diminished their numbers (and options) until it came time for Jocosa to make their dying lineage limp along for another generation. By the time she was of age, there were no branches on the family tree left to harvest a husband from. Thus, the Norths needed to go further afield of the stagnant gene pool they’d been festering in.

Because of that, Theo is arguably a bit less inbred than previous generations of his family. The damage was already done, though. The fruits of the North’s unfortunate marriage practices have garnered them a deserved reputation for weak bodies, sick minds and dying young, and so far, Theo is two-for-three. We’ll see if he gets the triple.

Related to the above: if you haven’t realized already, the Norths are fucking freaks. Especially in the modern day of Amaranthine, caring about matching species in a marriage is seen as hyper-traditionalist, bizarre and absurdly impractical. But, well, the Norths are all those things. Jocosa’s parents were a stoat-stoat pair, their parents were stoat-stoat, and so on up the family tree, with maybe some rare exceptions where you might find a few polecats or minks scattered about in amongst the other long pointy-faced carnivores. Jocosa’s parents really would have preferred to have another mustelid marriage rather than wed their daughter to a rat.

But, that was a preference, and magical ability was a necessity. When Jocosa needed to marry, there were no other magical stoats, weasels, or even an otter for them to choose from.

That’s when an opportunistic young rat caught wind that there was a beautiful noble girl in need of a husband, just when he needed a rise in social station. Leonard was reasonably wealthy, and more importantly charming, quick-witted, and not afraid of lying his ass off to close a deal. He befriended Jocosa’s father and was able to delicately pick his way around or find loopholes in the Norths’ strict rules for marriage. Importantly for the Norths, Leonard had magical ability, albeit extremely weakly. You might say he was a sparkler while Jocosa was a flamethrower (in this analogy, in his prime, Hyden was an atomic bomb). Not ideal, but Leonard had enough magic to count as a mage for heir-producing purposes. Ultimately, Jocosa’s parents saw Leonard as the best option in a bad situation, rat or no. Preferable to dying out altogether, at least.

...

AND ON THAT, UH, HAPPY NOTE: thanks for reading and thank you all as always for sending questions about my little guy and being interested in him, even with all his slimy, weird, unpleasant foibles and flaws!

[cherry-pop-elf]

Night terrors

Anya x Reader

Can be read as platonic because we all want to take care of her like we wish someone would for us

AN: As a victim of sexual assault I feel it is important to have a realistic fluff story about the aftermath of it. How it affects the person after it’s been done and how the trauma lingers. How it’s so very important for the person to have a support network. YOU will be her support network. Thank you

Also not to get political but god women in the USA are experiencing a massive increase of assaults so call this projection, or call this training for the inevitable

SUM: Despite surviving that Tulpar adventure, despite all the good karma thrown back at you all, there are just too many many scars to truly recover from

Warnings: Past sexual assault, nightmares, PTSD, whump, abortion, paranoia, it’s gonna be a stressful read, there will be fluff don’t worry, paranoia, inspired/based on my own experiences

“STOP-!”

Anya was screaming in her sleep again.

Woke you up pretty quickly, as you were sharing a bed with her. She was rather scared to sleep alone. Afraid that someone will just break in and take advantage of her. That somehow Jimmy, who long since was dead, will break in again.

“Anya-! Anya wake up! It’s me! Anya-!” You would shake her and try to get her to wake up. To get her out of that terrifying cloud of memories. Her poor face was pale and full of sweat, and she was scared awake by you shaking her. For a fleeting moment she thought it was Jimmy.

As she gave another cry, you reached over and turned on the bedside tables lamp.

She saw your face, and finally took a breathe.

You two weren’t on the Tulpar anymore. Jimmy wasn’t going to hurt either of you ever again. Swansea was home with his wife. Daisuke was home with his mother and father. And she was here with you.

She was alive.

“I….Im sorry-“ Anya sniffled, as you just pulled her into your arms. Gentle with combing your fingers through her hair. Just gentle reminders to not be sorry. To not be sorry for being justified with her fear.

“He won’t ever get you again. I promise.” You would remind her, but she would still tremble.

“Can we check the locks again?” She would ask you, and you would nod. Often times this was the case. No matter how many times she would ask you that question you never got annoyed. It’s good to check the locks anyway. Gotta stay safe after all.

You would both climb out of bed, put on your robes, and go walking around the home. One of your hands was left to be held by Anya’s, as the other would be used to check the locks on everything. From the multiple at front door, from each window, to that of the back door. Each one checked, as Anya would hug at you close.

Was a very nice home, you had to admit. After having rescue finally called, and being saved, the media went nuts. Especially on the fact Curly was still alive. Gave Anya the much needed support to show she was very worthy of a position as a proper doctor. That also meant she got herself quite the hefty salary. Also helps that she now had partial royalties to the book she helped write about the adventure on the ship.

“Every lock is secure.” You explained, as she gave still an anxious look.

“Let’s check each room, and closet. Yeah?” That made her quickly nod.

Now you two were roaming the entire house now. Checking under furniture, in closets, all the nine yards. No stone was left un-turned. You would do it a million times for her. She deserved to have some kind of relief from it all.

“There we go. No Jimmy.” You would give her a hug, and she hugged you back. Still shaken, but at least she was breathing more steady.

The two of you would return to the bedroom, where she did her routine. Checking under her pillow for her sheathed knife, the bedside for her baseball bat, the drawer for her gun, and to take an extra pill to help with the anxiety burst she was having. Her routine.

She would try and lay down, only to dart her head towards the bedroom door. Eyes wide with raw and pure fear.

“I swear I heard him at the door. I swear I did. He said my name he said my name-“ She whimpered, as you would get up. You opened the door, looked around the hallway, and returned.

“Don’t worry Anya. I didn’t hear a single thing.” You reassured, as you would lock the bedroom door for her. Along with putting a chair under the door handle. Even went as far as to double check the bedroom windows, and closed the curtains.

“I’m so sorry-“ She would begin again, as her eyes watered. She felt like such a burden. To have all this fear and paranoia. To the point she couldn’t feel safe when left alone. You couldn’t blame her though. The wounds were still so horribly fresh. Not to mention sometimes PTSD can kick in so many years later. You’ll take the morbid comfort in having it kick in now where you all can handle it now and prepare for the future than suddenly out of nowhere in God knows how long.

It is what it is.

She wasn’t the only one traumatized after all, and she shouldn’t need to apologize for justified fear.

You would pull her back into your arms, and you both laid down. You would turn on the white noise machine for her, to help block the paranoid sounds of voices and scratches from the doors, and would just talk with her. Talk until her medication kicked in to help her sleep.

Didn’t matter what it was. It was just noise to keep her mind distracted.

You wondered how the rest of the crew was doing. How they were dealing with it.

They all had family, so maybe they were doing well. Really should meet up again soon. Can’t be blamed life is so busy.

Curly was back living with his parents and siblings, which they welcomed with open arms. Even his friends before the crew were willing to all share a space to help.

Swansea had his wife and even his kids. Sure he says he’s too old to be traumatized but he keeps checking on his kids way more often now. That’s for sure.

God knows when poor Daisuke’s PTSD will kick in. He may be acting fine now but it’s gonna be a ticking time bomb. It’ll come at him sooner or later. For now his parents were feeling like monsters for pressuring him into that intern ship. He never blamed them, of course. He is even still working under a mentorship with Swansea even. Guess not everything was negative.

Then there was you and Anya. She was the most traumatized of all. There was even the trauma of an abortion. There’s still so many emotions with that as well, but you held her hand through it. Even as far as to move in with her to help. You two had always been very close. Even before joining the crew. You two were always tagged together. Even nicked named her assistant to a point.

You’ll stick with her through the ends of the earth.

“Wanna go visit Curly in the morning? It’ll be Saturday. Maybe we can even invite Swansea and Daisuke.” You offered. Just something positive to look forward to. Something worth waiting for.

“That would be nice.” She muttered, as her own paranoias exhaustion was kicking in. Too tired to even be afraid. Often times how it ends. She gets herself so worked up it ends up being the very same thing that makes her fall back asleep.

“Yeah. We can check out his new prosthetics. Daisuke said he even bought stickers specifically for them.” That had Anya smile. That sweet smile that was hard to come by right now. One that was filled with comfort. Comfort of such an innocent and sweet thought.

“Swansea says he’s also going to attach his own upgrades to it. Not sure how that will work, or what the hell he’s planning, but not gonna lie I need to see if he gives him rocket boosters.”

That got a little laugh from her. The both of you imagining poor Captain Curly flying around in the sky, as Daisuke runs around with some trampoline to try and catch him on.

Just something silly to cut through it all.

Seemed to work, as you could feel her breathing easier now. Her breath not so intense. Was far more steady, and you could tell she fell back asleep. You were thankful for it. Not because she was annoying you. No. Never. But because she needed her rest. She deserves it. She already is working long hours at the hospital, which you bet is because she is trying to avoid being isolated and alone at all cost maybe even reduce sleeping to, so she needed proper sleep more than ever.

And you’ll do your best for her. To help her with it all. You were her little assistant. You’ll do what an assistant does best. Make sure your boss is able to tackle projects easier.

And this project was healing. A project that won’t ever end, will have ups and downs, and be taxing. Over time out the ass and no vacations.

And you know what you say to that?

Bring it.

Thank you so much for reading. This was a more vulnerable piece because Anya really reminded me so much of myself. How I’m suppose to take care of everyone else, while my traumatic abuse is just swept under the rug.

Since you read all the way to the end, maybe take a look at this

National Sexual Assault Hotline:

1-800-656-4673

National Domestic Violence Hotline:

800-799-7233

RAINN (Rape Abuse Incest National Network)

1-800-656-4673

National Suicide Prevention Lifeline

1-800-273-8255

You deserve love and support. What happened wasn’t your fault in the slightest. Not even for a single second. You deserve happiness, hope, and to live a long and healthy life. Everything will be ok again. Doesn’t seem like it now, but it will. I promise

[srslylini]

okay in all honesty Sevika's character is so interesting and one of the things I loved the most about season 2 is watching her.

We see her character as soon as act 1 in season 1 and we also know that she used to be loyal to Vander, but because she is a character who rightfully wants to fight she sees Vander as someone who she can't continue to be loyal to

"Vander had his chance"

she hands the people she follows/gives her loyalty to chances. We see it time and time again with Silco. We see her loyalty waver but we also see it strengthen. She is extremely smart and cunning. She knew immediately what kind of powerplay Finn wanted to start and played along with it, so he wouldn't catch on (letting him light her cigar, dusting of his place before he sits down during that scene with Silco where Finn then gets killed)

But she also made a display infront of Silco to show him her patience is running thin. One of the reasons she went along with Finn is to show Silco that, while Finn isn't the one, there is always others. This also shows how damn respected she actually is, like lets imagine basically any other character having such a severe power play with Silco, she knew that he knew that there was a possibility she could kill him.

Her patience for Silco is also mostly running thin because of Jinx. Not because she genuinely just hates Jinx but more so because Jinx is in fact a disaster (sorry sorry) and DOES get in between her missions. And well Silco basically shrugs and goes your fault have fun cleaning that mess up. If we go and only take season 1 it's actually easy to think that Sevika really dislikes Jinx but with context from season 2 I just don't think that was the case and it was moreso frustration.

and now Silco is dead and she has placed her hope in him and his nation of Zaun. That talk with Jinx in season 2 is genuinely one of the best, if not the best, scenes out of that season. Her and Jinx begrudgingly get closer. She is still loyal to Zaun and well they don't give up their people and Jinx is one of them.

As early as act one she is shown to literally be ready to jump to death if necessary to be of use and like??? they utilized her character perfectly in season 2 before they decided to write her out of act 2 for what ever reason (still salty about that)

Their little found family coming because Sevika is admirably loyal and extremely smart but also just unwilling to relent to anyone and still always the fighter is the best the writers could have done.

edit: lol dumb thing to forget, genuinely I'm tired but the continuity of her gambling addiction and it also being a thing Jinx and her bond over in season 2 because Jinx gifted her a gambling arm was genuinely peak writing. Also there is something to be said how she also gambles with the lives of others (Silco in that scene, cause he HAD no idea if he would survive "where you tempted" "not for a worm like him but there will be others" like OKAY DAMN) and how she ALSO uses her own experiences to guide others, sometimes subtle, sometimes not so much.

just in general, I appreciate her character so much and I hope they don't disappoint in act 3